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			 o-blog  an i.p. blog
			  
03-01 
	culture¦  
	Noble cause. The Alexandria Library, which picks up where its ancient forbear left off, hopes eventually to 
	put a digital copy of 
	every book 
	ever published online. [reg.req]
 
	©¦  
	Among a slough of other things this oreillynet.com interview with the EFF’s 
	Cory Doctorow, has some interesting observations 
	about the state of wired culture, and its impact on attitudes about 
	intellectual property. 
 
03-02 
	©¦  
	Boingboing.net has been extensively blogging a west-coast debate on the allocation of spectrum for wireless; one of 
	the issues being, is it better off privately owned or 
	given to the commons. 
	(That one’s a general link to the site — permalinks follow.)
	1. 
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	©¦  
	Here’s a page dedicated to the 
	Campaign for Digital Rights. 
 
03-03 
	©¦  
	Sen. Ron Wyden (D-OR) claims that “There is a tremendous consumer-rights movement building … still in its very early stages,” 
	and thinks that companies should 
	fully disclose 
	any use-compromising copyright-protection features of their products. 
 
	©¦  
	Nytimes.com [reg.req] has an article 
	‘Pondering Value of Copyright vs. Innovation’ 
	in which they report on conferences going on in California, attended by scholars and policy makers to debate the issue. 
 
03-04 
	©¦  
	Artist Perry Hoberman has posted 
	three wry 
	commentaries on the state of IP, which he calls his “Infringement Series”. 
 
	©¦  
	Newsfeed. News.com, reporting on a DRM conference held this week in Berkeley, 
	reports that experts have expressed their view that 
	Copyright law hurts technology. 
	It appears that Apple Computer has impressed the big labels with their scheme for selling downloads of music: 
	Apple online music service wins kudos. 
	(From the user standpoint, it’s non-ideal, incorporating DRM and eschewing 
	mp3 for AAC.)	
 
03-06 
	©¦  
	Paul Simon attempted to pass on $16,000 in royalties to a Ghanain composer whose work was used on one Simon’s 
	albums. As you 
	can read here, 
	all sorts of issues cropped up relating to the copyrighting of folklore, as well as the use of Third World culture in 
	First World products. 
 
	©¦  
	CD burners are now ubiquitous, and DVD burners exist, but haven’t caught on yet. Will Hollywood 
	let them?
 
03-07 
	©¦  
	Richard “free as in free speech” Stallman is keynoting at the South By Southwest Interactive Conference in Austin, Texas. Here’s 
	a ‘rough transcript’ what he had to say. His talk was called 
	“Putting the Free in Freedom.”
 
	©¦  
	Dan Gillmor’s current column begins: 
	“One of the most alarming effects of federal copyright law has been the turning of crucial electronic devices into ‘black boxes’ — 
	machines that are closed to scrutiny even when a great deal rides on their robustness and accuracy,” and it’s about Edward 
	“freedom to tinker”
	Felton. 
 
			
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Conheim Appears in Prague,  Brings ‘Booper’
	 
Tape-beatles Host  Evening Salon 2003-03-21
	His Berlin commitment for Negativland finished, Peter Conheim accompanied Lloyd Dunn on the 
	evening Berlin-Prague train for a two-day visit. Accompanying them were fellow tourist and 
	Negativland sound man Tom Koch, as well as long-time friend and Prague resident Patrick Keegan. 
	In addition to collaborating with Negativland, Conheim is also a member 
	of Wet Gate, the “The All-16mm Projectionist Ensemble” and Mono Pause, an instrumental 
	combo that uses found sound. 
 
 • Links to the Wet Gate and Mono Pause sites 
	In Conheim’s luggage was stowed a whimsical electronic device known as “the booper,” a gizmo 
	created by the Negativland member “the Weatherman.” The instrument consists of a clever 
	alteration of the electronic circuitry inside of an ordinary radio, turning it into a kind of sound synthesis device. 
	By twiddling and flipping a few added knobs and switches, the booper can be made to excrete a remarkable 
	range of rich sounds. 
 
	Aside from two days spent tromping the city’s cobbles, Conheim honored us with an impromptu demo of the 
	booper at an informal “salon” hosted by the Tape-beatles in their Tachovské Naměstí atelier. 
	For added color, a 16-second excerpt from the demonstration follows. 
 
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