< STATIC OUTPUT | PSRF | PUBLIC WORKS | RETROFUTURISM | PHOTOSTATIC | TAPE-BEATLES >

THE TAPE-BEATLES were founded in 1987 with a mind toward adopting techniques and ideas from concrete music toward a musical project intended to have broader appeal. In a nutshell, the Tape-beatles set themselves to the task of creating music without using musical instruments, at least in the conventional sense. Their essential tool was the analog tape recorder, ubiquitous in the form of the cassette recorder, although it was through using other forms of this instrument in various configurations of tracks that the Tape-beatles' oeuvre came to ripe (some would say, over-ripe) fruition.

The Tape-beatles approached their music, and the medium of tape, from the direction of collage, the most typical and typifying art form of the 20th century. What better medium existed for portraying the essentially fragmented nature of this period in history? The Tape-beatles could see no other, and immediately applied themselves to the task of taking advantange of this insight before conditions changed, inevitably rendering this modus laughably obsolete.

To their consternation, they continue to wait, even after the fact of their disbanding. To their delight, their three major works remain timeless beacons of a set of crystalline moral imperatives, to wit, and we quote:

  • We make music that can be made by anyone. We take devices made for reproduction of music; i.e., for passive listening, and deflect them to the task of actively engaging their pseudo-secret possibilities to the production new listening experiences that may come from the news, but never sounds like it.
  • We use Plagiarism® to critically expose that we have become what we have. What does it mean to "own" an idea? The Tape-beatles maintain that this is symptomatic of a diseased culture and like to quote Thomas Jefferson, third President of the United States:
    He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.
  • The much-touted idea of "originality" is deeply suspect when, for the past fifty years the art world has been hurling insults at the public, and being very "original" in doing so. It isn't sufficient just to be original -- that's actually quite easy --- the important thing is to be honest and give something useful to society. (Of course, they probably won't accept it.)

The astute reader might have guessed by now that it's been an uphill struggle for the Tape-beatles, and they'd be right. But nothing will stop them from following their vision. But you can support them by buying their music. Peruse the labyrinthine slurry of products they offer in the details below.


 Plagiarism® Audio Productions

A subtle buoyancy of pulse; (1988) The Tape-beatles' Þrst cassette release. Side one contains "The Big Broadcast," their ground-breaking radio broadcast from 1987; side two contains "Plagiarism®," which might be thought of as their audio-manifesto-work. Available only on cassette. (45:00)

 A subtle buoyancy of pulse; on Cassette

 10.00

Music with Sound, version 1. (1990) In this work, the Tape-beatles steal from sources as diverse as Rodchenko and McCartney, Stravinsky and Esquivel, NPR and the KGB. Hear the work that got the Tape-beatles interviewed on the CBC and had Negativland asking for favors. (46:00)

 Music with Sound, version 1 on Cassette

 10.00

 Music with Sound, version 1 on Compact Disc

 15.00

Music with Sound, version 2 on Compact Disc 

The Grand Delusion (1993) Constitutes the entire soundtrack of the Tape-beatles' cinema-extravaganza (in PolyVision) which uses three 16mm projectors running simultaneously for panoramic effect.

 The Grand Delusion, version 1 on Cassette

 30:00

 8.00

 The Grand Delusion, version 2 on Compact Disc

 40:00

 10.00

America is conÞdent The þexi-disc single that was jointly released by Plagiarism® Productions and Minneapolis' Artpaper as part of a interview with the Tape-beatles. (3:30)

 America is confident (one-sided flexi-disc single)

 Free with order

Grave Implications (1994) is a 7-inch vinyl taken from the Staalplaat CD The Grand Delusion (above). Dwight D. Eisenhower complains about the military over a familiar musical backing from the 60s. (7:00)

 Grave Implications (7-inch vinyl 33 rpm single)

 3.00

Prices listed are postage paid to any US address. Add $1 per item ordered for postage elsewhere. Send order and payment to:

Static Output / P.O. Box 8832 / Iowa City IA 52240-8832 / USA

 < STATIC OUTPUT | PSRF | PUBLIC WORKS | RETROFUTURISM | PHOTOSTATIC | TAPE-BEATLES >

[31.03.1997]